Italian Mannerist Painter, ca.1528-1588 Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings.  Related Paintings of Paolo Veronese :. | Portrait de femme | Moses found in the reeds | Martyrdom of St.Sebastian | Suzanne et les vieillards | Family of persian king Darius before Alexander |
Related Artists:
ragnar sandberg
Ragnar Sandberg, född 16 februari 1902 i Sanne församling, Göteborgs och Bohus län, död 1972 i Stockholm, var en svensk konstnär. Ragnar Sandberg var son till August och Johanna Sandberg (född Schagerholm). Familjen flyttade till Stenungsund och där de drev en diversehandel. Sandberg studerade vid Valand för Tor Bjurström under 1920-talet. Han flyttade till Stockholm i slutet av 1940-talet och blev professor i teckning 1947 och sedermera i måleri vid Konstakademin. Sandberg ingår i den grupp av konstnärer som kallas "Göteborgskoloristerna". Sandbergs första äktenskap ingicks med Elsa Sandberg (född Karlsson). I det äktenskapet föddes en dotter. Hans andra äktenskap ingicks med Birgit Broms Sandberg, och de har en dotter.
Tintoretto
Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
NETSCHER, Caspar
Dutch Baroque Era Painter, ca.1635-1684